半浮雕

The demirep was a common character in 19th-century French melodrama, often portrayed as a seductive woman of low morals.
这位半路出家的女演员是19世纪法国悲情剧中的常见角色，常被描绘成一个道德败坏的迷人女子。
Despite her demirep reputation, the actress was beloved by audiences for her captivating performances on stage.
尽管有半路出家女演员的名声，这位女演员因其舞台上的迷人表演而深受观众喜爱。
In his novel, the author uses the demirep character to explore themes of love, betrayal, and redemption.
在他的小说中，作者利用半路出家女演员的角色来探索爱情、背叛和救赎的主题。
The demirep's story arc in the play is a tragic one, as she ultimately falls victim to her own manipulative ways.
这位半路出家女演员在戏剧中的故事线是一个悲剧性的，因为她最终成为了自己操纵方式的受害者。
The term "demirep" is derived from the French word "demi-rep", which literally means "half-repudiated".
“Demirep”这个词源自法语词“demi-rep”，字面上的意思是“半拒绝”。
The demirep's complex personality and ambiguous morality make her a fascinating character to analyze in literature.
半路出家女演员复杂的人格和模棱两可的道德观使她成为一个引人入胜的人物，在文学分析中颇具吸引力。
In the silent film era, actresses who played demirep roles were often typecast and struggled to find work outside that niche.
在无声电影时代，扮演半路出家女演员角色的女演员经常被定型，并且很难在那个小众领域之外找到工作。
The demirep's role in the opera is often a pivotal one, driving the plot forward with her seductive charms and devious schemes.
半路出家女演员在歌剧中的角色往往是至关重要的，她用诱人的魅力和阴险的计划推动着剧情的发展。
Some argue that the demirep stereotype reinforces negative gender roles and contributes to the objectification of women.
有些人认为，半路出家女演员的刻板印象强化了负面的性别角色，并加剧了对女性的物化。
In modern times, the concept of the demirep has evolved, and the character can now be portrayed in a more nuanced and complex manner.
在现代社会，半路出家女演员的概念已经演变，这个角色现在可以以更加细腻和复杂的面貌呈现。