新印象主义

Neoimpressionism emerged in the late 19th century as a reaction against the subjective expression of Impressionism.
新印象派在19世纪末作为一种对印象派主观表达的反动而兴起。
Georges Seurat is widely regarded as the pioneer of Neoimpressionism with his use of pointillism.
乔治·修拉以其点彩技法被广泛认为是新印象派的先驱。
The technique of dividing colors into individual dots on the canvas, called Divisionism, was central to Neoimpressionist art.
将颜色分割成画布上的单个点的技术，称为分色主义，是新印象派艺术的核心。
Neoimpressionists aimed to achieve greater optical effects by scientifically blending colors optically rather than physically.
新印象派旨在通过光学而非物理上混合颜色来达到更佳的视觉效果。
The works of Paul Signac demonstrate the principles of Neoimpressionism, emphasizing the harmony of color and light.
保罗·西涅克的作品展示了新印象派的原则，强调色彩与光线的和谐。
Unlike the spontaneous brushstrokes of Impressionism, Neoimpressionism favored a more methodical and calculated approach to painting.
与印象派即兴的笔触不同，新印象派倾向于一种更为系统和计算的方法进行绘画。
The movement, though initially criticized, influenced later avant-garde movements like Fauvism and Cubism with its exploration of color theory.
尽管最初受到批评，但这一运动对后来的前卫运动，如野兽派和立体派，在色彩理论探索方面产生了影响。
Neoimpressionism challenged traditional notions of painting by advocating for a scientific application of color based on the study of optics.
新印象派通过提倡基于光学研究的科学色彩应用，挑战了传统的绘画观念。
The exhibition "Neo-Impressionism and the Dream of Reality" showcased how the artists sought to convey emotions through precise color combinations.
“新印象主义与现实之梦”展览展示了艺术家如何通过精确的色彩组合来传达情感。
By employing the technique of pointillism, Neoimpressionists sought to capture the fleeting effects of light and atmosphere with greater precision.
通过使用点彩技法，新印象派力求以更高的精确度捕捉光线和氛围的瞬息万变。