n.马萨乔（1401—1428；原名Tommaso di Giovanni 意大利文艺复兴时期佛罗伦萨画家）

Masaccio's fresco 'The Expulsion from the Garden of Eden' is a masterpiece of early Renaissance art.
马萨乔的壁画《逐出伊甸园》是早期文艺复兴艺术的杰作。
In Masaccio's painting, 'The Tribute Money,' he skillfully uses perspective to create a sense of depth.
在马萨乔的画作《税款》中，他巧妙地运用透视法营造出深度感。
Masaccio's innovative use of chiaroscuro influenced generations of artists that followed him.
马萨乔对明暗对比的创新运用影响了后来几代艺术家。
The Holy Trinity by Masaccio, with its realistic depiction of human figures, revolutionized religious painting.
马萨乔的《圣三位一体》以逼真的人体描绘革新了宗教绘画。
One can observe the influence of Masaccio in the works of later Florentine painters like Fra Angelico and Filippo Lippi.
从弗拉·安吉利科和菲利波·利皮等后期佛罗伦萨画家的作品中，可以看到马萨乔的影响。
Masaccio's 'The Brancacci Chapel' frescoes depict biblical scenes with remarkable realism and emotional intensity.
马萨乔在布兰卡奇礼拜堂的壁画中以非凡的真实感和强烈的情感描绘了圣经场景。
The use of linear perspective in Masaccio's 'The Baptism of the Neophytes' demonstrates his understanding of mathematical principles in art.
在马萨乔的《新信徒的洗礼》中，他对线性透视的运用展示了他将数学原理运用于艺术的理解。
Masaccio's influence on Renaissance art can be compared to that of Leonardo da Vinci or Michelangelo in their respective eras.
马萨乔对文艺复兴艺术的影响可以与列奥纳多·达·芬奇或米开朗基罗在其各自的时代相提并论。
Critics have praised Masaccio for his ability to convey complex narratives through his compositions.
评论家赞扬马萨乔通过构图传达复杂叙事的能力。
Despite his short life, Masaccio's impact on Western art history cannot be overstated.
尽管马萨乔的生涯短暂，他对西方艺术史的影响无法过分夸大。